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This piece was written as part of the Emily Dickinson Project, and first performed by Mary Weigold with the Composers’ Ensemble on May 22nd 1993 at Plymouth Arts Centre.
It’s dedicated to my son Laurie, then aged 4, who was passionate about bees.
Both the voice and the viola extend vowels and consonants in the poem to create bee sounds.
His Feet are shod with Gauze –
His Helmet, is of Gold,
His Breast, a Single Onyx
With Chrysophrase, inlaid.
His Labor is a Chant –
His Idleness – a Tune –
Oh, for a Bee’s experience
Of Clovers, and of Noon!
Emily Dickinson
Commissioned by the Plymouth Arts Centre.
Sally Beamish
Premiere details
1993 Mary Wiegold (sop) and Jane Atkins (vla) of Composers Ensemble
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